Navigation

Search


Categories

On this page

SC-1 Mic Preamp Kit : Progress Report
PM1000 PSU PCB
Yamaha PM1000 Rack Project
DIY: SC-1 Mic Preamp - PCB + Kit
DIY: Build your own pads

Archive

Blogroll

RSS 2.0 | Atom 1.0 | CDF

Send mail to the author(s) E-mail

Total Posts: 119
This Year: 0
This Month: 0
This Week: 0
Comments: 8

SC-1mk2 and SC-1mk500 Mic Preamp Kits



SC-1mk2 Preamp Kit  SC-1mk500 Lunchbox Preamp Kit 
 Friday, April 27, 2007
Friday, April 27, 2007 10:34:17 PM (Central Daylight Time, UTC-05:00) (  |  |  |  )
A lot has happened to the SC-1 mic preamp that I'm developing... that I didn't have time to update this site. Sorry about that.

Here's some new materials/information regarding the SC-1 mic preamp kit.

Basically, I'm getting close to when I can start selling the kits. I made 2 channels of prototype using the Revision 1 PCB design and I can tell you, I'm more than pleased with how it turned out. 

I also updated the design, added more enhancements and some small fixes (mainly, additional bypass capacitors, RF protection) and came up with a Revision 3 PCB. This Revision 3 design was sent out for another batch of prototype manufacturing, and I'll start building prototype #003 and #004 next week.

However!...  I made the decision to make a Revision 4 PCB design with some more enhancements. I think this is the last PCB revision before I start mass producing the PCB and then sell the kits to you guys.

Revision 4 PCB adds the following features:

1. Slow-start phantom power - ramp up the 48V phantom power slowly so mics will be happier, instead of subjecting them from 0Volts to 48Volts in an instant.

2. Added protection for INSERT out in case the output is short-circuited. The preamp will have INSERTs or has the capability for INSERT jacks and interfacing with the outside world. So you can use your compressor, or limiter using standard INSERT cables with the SC-1 preamp.

3. Added some changes to the gain selector stage to prevent popping at the higher gain level settings when switching gain. Again, this is not a *must have* fix, but it makes for a better and refined user experience.

So that's the latest on the SC-1 preamp.

Some photos of my SC-1 prototype #001 and #002.

Insert jacks not shown on this photo. This was taken before I added the INSERT jacks.


Rev1.00 PCB Prototype #001 Testing

Stuffing parts on the prototype #1 PCB, i.e. the PCB with the backwards selector switch. I want to get this working first, before I order another prototype for the REV 3.00 design.

Here's a photo I took of a partially stuffed PCB. I'm waiting for my 8-pin IC sockets to come in on Monday, then I'll be able to stuff the IC chips and get it working!

The switch shown on the photo is not the actual switch I spec'd in the parts list. But I don't want to use a $6-$8 switch for testing, so I jury rigged a $1 switch. It's not bad... and very stable and secure.

Did some changes on the Rev3.00 board... fixed the width of capacitors, aligned some components and some routing changes.


Signal Gen/Oscilloscope Testing

Soldered the IC sockets, applied 18-0-18 voltages, measure if the correct voltages are present in the correct pins... so far so good....

Insert all 3 IC chips....

Turn on power.... wait for any popping sound... None... Sniff for burnt smell.... None.... touch IC parts for hotness.... None. Everything is cool!

Proceeded to adjust knobs on my oscilloscope for a steady waveform, set my signal generator, and first I test the balanced driver circuit.

Here's a photo of my test rig/prototype.

I soldered some XLR jacks to make testing easier.

Checked the balanced driver stage....

Looks good!!!! I set the signal generator to sweep to a higher frequency... higher... higher... higher.... IN CASE YOU DIDNT NOTICE... That's 60Khz coming in and out of the balanced driver stage!!!! I'm pretty pleased.

Waveform looks pretty clean even at 60khz! WOW!

Since I don't have a selector switch, I just used a jumper to simulate a selector switch adjusting the dB gain selector. I then tapped from the output of the servo... which is after the mic pre. So in this waveform, the balanced driver isn't connected. I want to test each section of the preamp individually first.

So it works... I'm very pleased.

And of course, I know you'll want pictures so here it is.

I want you to take note of the waveform on the oscilloscope you see on the photo above, okay?

A separate photo of that same waveform is posted below... enlarged, with the camera about 5 inches away from the scope.

The top waveform is the input, and the bottom waveform is the output... just before clippinng. The oscilloscope was set to 5Volts per division. So it's roughly 30Volts peak to peak on +18/-18 power. The input is set to 2V per division.

Like it?

Well, you should. Because that waveform shot is at the max gain before clipping which is already an impressive 30Vp-p !!!!

And what's really impressive is it's doing this amplification to 30Vp-p of a 100Khz waveform AND the waveform still looks clean!!!! YES! 100 KILOHERTZ!!!! Yeay!

Here's the signal generator showing the 100 set on the dial, and the 1Khz multiplier.... as proof :)

This is going to be good!!!!!

It's getting late, so tomorrow, I'll connect the output of the pre to a potentiometer, then to the balanced driver stage.

And No... I haven't heard the preamp yet. I'm just doing signal gen testing, looking at the waveforms and looking for signs of trouble like oscillation and things like that.

But so far, so good. I'm liking what I'm seeing.

To do:
1. Add volume knob (because this prototype pcb didn't have the volume knob)
2. connect output of mic pre to balanced driver stage.
3. Test using a square wave
4. Connect RP8 monitor and do some listening tests using signal gen.
5. Play some music through it, via line level signals.
6. Test 48V phantom power.
7. Testing using condenser microphone
8. Optimize gain staging and dB steps of the preamp.
9. Test using long cables the mic pre output.
10. Test using long cables for the microphone input.
11. Really, really look for any oscillation.
12. Test at 15Hz or lower frequencies.
13. Find out highest possible frequency it can reproduce without distorting.

It's been a long wait, but I think it's going to be worth it. I am extremely pleased with the results I'm getting. And PCB rev3.00 will be even better.



| | # 
 Friday, March 16, 2007
Saturday, March 17, 2007 1:41:29 AM (Central Standard Time, UTC-06:00) (  |  |  )
Okay, I received the PCBs from the fab.  It's pretty.  Measuring a tiny 2-1/2" by 2-1/8".

I'm selling a few extra PCBs as I ordered a few more than what I needed. Cost is $20 per board.

I test-built one of the PCBs to test that it's working properly. Here's my completed prototype PSU (+44V) and (+48V) for phantom power, suited for those racking their Yamaha PM1000 channel strips.



And here's a shot of the bare PCB.




I have a few extra PSU boards so if you're interested, the cost of the PCB is $20 each, +cost of shipping fees. I'll include a Bill of Materials with Digikey part numbers along with your PCB so you can order the parts direct from Digikey or Mouser or wherever.

Email me if you're interested to buy. Thanks!


| | # 
 Tuesday, March 06, 2007
Tuesday, March 06, 2007 11:10:44 PM (Central Standard Time, UTC-06:00) (  |  |  |  )

I just gutted the guts of a Yamaha PM1000 channel strip. I will try to rack them in a standard 19" rack case. I'll be adding a custom power supply, and the usual XLR/TRS input and output jacks, phase, phantom switch, filter cutoff low-pass, hi-pass, etc...

So far, I'm successful in my testing after ripping and soldering everything together and adding a few modifications (i.e. using simple DPDT switches instead of 3Pole selector switches).

The Yamaha PM1000 are usually called Japanese "Neves" because of a similar approach in design. Just like the Neves, this is all discrete transistor and uses an input transformer and output transformer.

The EQ section is especially sweet because there is not a single IC on this preamp. The EQ section uses inductors and capacitors... totally analog manipulation and shaping of your frequency. (circa 1974)

I've tested them on drums and vocals and they really make the sound FAT. The EQ section shapes your sound anywhere from slight barely noticeable to extreme gain/reduction. Bass frequencies are solid. Of course, being an analog EQ, it is not as precise in shaping the sound as IC chip Equalizers. But the curve is smoother I would think.

This is what a PM1000 mixer looks like (circa 1975). Note, I did not use my fully operational 16 channel vintage mixer for this project. I have a few (8) spare PM1000 modules I got from eBay. I also have 2 master strips.

| | # 
 Sunday, March 04, 2007
Sunday, March 04, 2007 10:53:40 PM (Central Standard Time, UTC-06:00) (  |  |  |  )

The SC-1 Mic Preamp is a THAT 1510/1512/SSM2017/SSM2019/INA217 based Mic preamp with phantom power, DC servo and Balanced line output driver.

Rev.1.00 PCB Design for the SC-1 Preamp

Introduction

The THAT 1510 is a high performance audio preamplifier suitable for use in microphone preamp application. It is pin compatible with the now discontinued, Analog Devices SSM2019 and SSM2017 IC chips, and the Texas Instruments INA217 and INA163 mic preamp chips.

Designed from the ground up in THAT’s complementary dielectric isolation process and including laser-trimmed Si-Chrome thin film resistors, the THAT 1510 improve on existing integrated microphone preamps by offering lower noise at low gains, wider bandwidth, higher slew rate, lower distortion, and lower supply current. The parts feature internal ESD overload protection on all critical pins.

In short, the THAT 1510 provide superior performance in a popular format at an affordable price.

Features

* Low Noise:
1 nV/ ÖHz input noise (60dB gain)
34 nV/ ÖHz input noise (0dB gain) (1512)
* Low THD+N (full audio bandwidth):
0.0005% < 40dB gain
0.005% @ 60dB gain
* Low Current: 6 mA
* Wide Bandwidth: 7MHz @ G=100
* High Slew Rate: 19 V/µs
* Wide Output Swing: ±13.3V on ±15V supplies
* Gain adjustable from 0 to >60dB with
one external resistor
* Industry-standard pinouts

| | # 
 Saturday, February 24, 2007
Saturday, February 24, 2007 9:04:28 PM (Central Standard Time, UTC-06:00) ( )
Yes, build your own pads. By pads, I mean "attenuation pad."  These are devices or circuit meant to attenuate or insert a loss in your signal path.

There are 2 kinds of pads you can use... The first is called a "T" pad and is mainly used for unbalanced lines.  The second is called an "H" pad and is mainly used for balanced lines.

We'll be building an "H" pad.



If you want a -10dB attenuation on your signal, use the values 150ohms for Ra, and 430ohms for Rb.  These values are meant for a 600 ohm line, which is the impedance typically used in pro gear.

For other values, see table below:

dB Loss Ra Rb
1 8.2 10K
6 100 820
10 150 430
20 240 120
40 300 12
50 300 3.6
| | # 
< noscript>