Navigation

Search


Categories

On this page

DIY Midi Controller for use with Sonar, DP, Logic, Live
MIDI Drums using DIY triggers
DIY: Building an 1176 Compressor
How to calibrate your recording levels
DIY API Preamp Project

Archive

Blogroll

RSS 2.0 | Atom 1.0 | CDF

Send mail to the author(s) E-mail

Total Posts: 88
This Year: 0
This Month: 0
This Week: 0
Comments: 9

SC-1 Mic Preamp NOW ON SALE!!!!

After many months of development, testing, troubleshooting, frustration, problems, and accomplishments... the SC-1 mic preamp kit, PSU-1848 power supply kit and power transformer kits are now available for sale!

Click here to ORDER

Photo of a finished SC-1 mic preamp kit!  (Note: XLR jacks and wires shown on picture not included in the kit.)

Features:
- Low-Noise, transformerless, High-Quality Mic Preamp
- All solid-state design, using chipsets from THAT Corp and Burr-Brown
- Soft-start, slow ramp-on +48V phantom power
- Crystal clear Red LED indicator for phantom power
- Electronically balanced input and output stages
- 12-position Grayhill gain selector switch
- Gain range from +6 to +72dB, in 6dB increments
- Input RFI protection
- Input clamping protection
- Output surge protection circuit
- Output RFI protection
... read more...

Download PDF file of Assembly Guide/Kit Instructions

Related products like the PSU-1848 Power Supply Kit, Power Transformer Kit, Power Control Kit are also available for sale. Click here.

 Sunday, November 26, 2006
Sunday, November 26, 2006 11:44:30 PM (Central Standard Time, UTC-06:00) (  |  )
This is a 32-knob, 16 switch MIDI Controller that can be used with any sequencer, like Sonar, DP, Logic or Ableton Live. By using the MIDI Learn function of your sequencer, and tweaking the knobs, you can train your sequencer to respond to the controls of this DIY MIDI Controller.


Sunday, November 26, 2006 10:37:47 PM (Central Standard Time, UTC-06:00) (  |  |  )
Want to have your own electronic drum set but can't afford a Roland set? This guy built his own drum kit using Radio Shack Piezo transducers, some jacks, and a few wires.  Of course, you'd still need the drum machine like a TD-7, but this will save you  hundreds by making your own drum pads.



And the finished drum set...



More information can be found here.
 Saturday, November 25, 2006
Saturday, November 25, 2006 9:08:05 PM (Central Standard Time, UTC-06:00) (  |  )
I haven't DIY'ed for a long time, so to kickstart this hobby again, I decided I'm going to build an 1176 Compressor.

The 1176 is one of the classic compressors in used by almost every recording studio out there. (The other classic compressor is the LA-2A). Bill Putnam designed the 1176, based on the 1108 preamp. Back in 1966, the Field Effect Transistor (FET) was just developed and he's experimenting with the properties of this new device. Basically, think of an FET as a "voltage controlled variable resistor."  The FET has three terminals. Drain, Source, and Gate. The resistance between the Drain and Source can  be varied/controlled by the Gate voltage. So what Mr. Putnam was doing with the FET is using it as a variable resistor to contorl the gain reduction in the circuit.

The output stage of the 1176 is a Class A line level amp, feeding a load of 600 ohms. It's got an output transformer which converts the output from unbalanced to balanced, and also do impedance matching. 

If you don't know or don't want to DIY, you can buy an 1176LN (for Low Noise) compressor for about $1800. Or, you can purchae "virtual" 1176 plugins from $130 to $225 price range. Click here for software plugin versions of the 1176.


 Thursday, November 23, 2006
Friday, November 24, 2006 3:10:28 AM (Central Standard Time, UTC-06:00) (  |  )
A few years ago, the common wisdom was to "record as hot as you can." By HOT, I don't mean temperature wise. The wisdom at that time was to record your signal (from your guitar, keyboard, mic, etc.) so that the on-screen digital VU meters on your ProTools, Logic, DP, or Sonar is just hitting 0 dB, but not going over. Everybody knows that as soon as the red light turns on, you'll get clipping and digital clipping sounds nasty... like a fingernail scratching on a blackboard. ... The above argument sounds LOGICAL. There was even talk "you must use all of the bits as much as possible, so 0dB must be 1111111111111111 and that's good since we used up all the bits, nothing got wasted."

But something got forgotten along the way by the people who advised you to record close to 0dB in your DAW (Digital Audio Workstation... just a fancy name for a fast computer optimized for audio recording).
 Wednesday, November 22, 2006
Wednesday, November 22, 2006 6:16:46 AM (Central Standard Time, UTC-06:00) (  |  )
Just a work in progress.... using a breadboard. API schematics found on the Internet... just google API 312 schematic. You can see the printout of the schematic on the photo. I'm using a Melcor Discrete opamp instead of the original 2520 opamp (which you can't buy unless you have a broken 2520 to surrender to API). Although there are many substitute opamps you can use like the Jensen 990C, Forsell Technologies 992, John Hardy opamp, etc... or if you're really scraping, just use an NE5534 IC chip.
< noscript>